Sous les pavés…

In the age of the Occupy movement, Situationism has become “the stuff of legend,” for it was “one of those rare avant-gardes whose radical arts and radical politics were forged in unison,” Alex Danchev writes in a review of McKenzie Wark’s The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International for the Times Literary Supplement. According to Danchev,  the book is a “marvellous guide to the microsociety of the Situationists.” “A devil for the provocative judgement,” Wark is able to outline the contours of the Situationist history with “a necessary sympathy, an encyclopaedic knowledge, and a certain stylistic irrepressibility,” Danchev points out. Wark’s account is “excellent on détournement“ and ”suitably eccentric,” because it focuses not just on big names, but also some less famous figures such as the Danish artist theorist Asger Jorn and the Situationist successor of Tristan Tzara, Isidore Isou.

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